One of my first portraits from back in the day.
When I started painting, I would follow a voice that would come forth from a spirit on the other side asking me to see them. I had no idea what I was doing, I would just paint, in time I understood that I could use channeling from nonphysical energy to guide my work. I remember distinctly that this spirit was eager to be seen and released. While I still use this method in some of my work, I am so much more aware of what is happening and far more particular of who and what I channel.
oil on canvas
6 x 4′
by Ruth Chase
From an early age, I noticed that being a “girl” put me in a place of vulnerability and I was very aware that physical danger was awaiting me if I wasn’t careful. So as a young adult “woman” I would make sure that my clothes and persona were tough enough to scare away predators.
Now I look back and see that it wasn’t until bearing a child, at the age of 40, that I began to connect with my womanhood. I was getting in touch with my body and its functions specific to having a child and becoming awakened to the physical characteristics that make me a WOMAN. I loved being pregnant, I loved my body and being able to hold another universe within.
I have spent a lot of time rejecting the expectations put on me by the outside world of what a woman is or should be, or should not be. I have never been sure of how I fit into the expectations of the world around me. I also, at times, did not want to own the power and blessings that come with femininity. On the inside, I felt like I hadn’t decided if I wanted to be feminine and on the outside, I knew to be a tomboy or punk sent a message to leave me alone, I’m not open for this “girl” business. Sometimes I wonder if I would have chosen to be a woman in this lifetime if I were given a choice before I was born. I suppose I have also been pissed off about being a woman, now that I think about it. So far, the most amazing thing about being a woman has been birthing my daughter, who by the way is VERY girly and VERY feminine. I’m having an ‘aha!’ moment writing this. I may even need a good cry.
I will have the most challenging painting I have ever made exhibiting in the Museum of Northern California Art. I am so proud to be representing VENICE in this exhibition about the value of street art to our communities.
MUSEUM OF NORTHERN CALIFORNIA ART
Beyond the Frame Panel Discussion | August 26
Beyond the Frame Exhibition
July 19 – September 2, 2018
“Never Forget Where You Come From, Always Remember Where You’re Going” by Ruth Chase will be exhibiting this month at part of Beyond the Frame. Street art often has a reputation as part of a subculture that rebels against authority, although it can also express a political practice, and serves as just one tool in an array of resistance techniques.
The Venice Tribute Wall provided a space for the public to share their stories, memories, and memorial related to Venice.
The West of Lincoln Project was installed at the Venice Arts Gallery.
A pop-up installation where Ruth asks people if they want a hug and if she can take an instant photo of passers-byes, then encouraging them to hang the photo where it could be seen as a reminder of their importance and value to their community. The backdrop is a pop up photo booth intended to be a personal encounter with another human, changing the roll of the selfie from an isolated “look at me” photo to a visceral experience that involved contact and purpose.
I opened the mail today and found this certificate of appreciation for the West of Lincoln Project. Not sure what it means other than it felt great to have it in writing from an unexpected source.