ARTIST • MOTHER • COMMUNITY MEMBER
Raised in VENICE, CA. I’m on a path that I never expected. Starting out as an oil painter that led to filmmaking, creating multi-media installations that include audio, social media, video, public art, and social engagement. My focus is on positive social change, working with concepts that reflect identity and the value of people.
I use layered washes to create a sense of history and nostalgia with paint. Working in blocks of time taking one to two years to create a series or works that often turn into a project.
The works offered here have been from my IN-BETWEEN ramblings, where I experiment with wherever my heart desires. This allows me to stretch and add to what I give to my work.
I’m bringing something in from The West of Lincoln Project before we close, so stand by.
I’m so excited to be showing my work publicly for the first time in Tennessee. The Opening Reception will be on Saturday, March 25, 5 – 9 PM. Monthhaven Arts and Cultural Center will be premiering its new art gallery, MACC at The Streets, where I will be exhibiting four paintings.
MACC @ The Streets 300 Indian Lake #A140 Hendersonville, TN
You are invited to view Ruth’s work at her home studio 30 min outside of Nashville, Tennessee. Ruth moved to Tennessee in February of this year and is excited to introduce her work to the community. The event will be casual with many of Ruth’s past works on display.
Sunday, July 24, 2022 11:00 AM – 2:00 PM RSVP for directions
Ruth Chase is a multimedia artist working with themes of belonging, visibility, and what it means to be a human. Ruth is a graduate of the San Francisco Art Institute whose artistic practice is inquiry-based and engages community bridge-building. She was awarded a Certificate of Appreciation from the City of Los Angeles for Art in Action and a grant to an individual artist from the Carl Jacobs Foundation. She was granted a residency at the Millay Colony for the Arts in NY, published in Professional Artist Magazine, Catapult Art Magazine, and Huffington Post, and has taught at the Crocker Art Museum. Ruth was a featured artist on the Dead Files TV program and was awarded an Artist in Residence at Nevada County Arts for Artist Activating Communities through a grant from the California Arts Council for three consecutive years. Her film BELONGING screened at the 18th Annual Nevada City Film Festival and Wild & Scenic Film Festival. Ruth received the Legendary Female Artist of Venice, exhibited in The Crocker Kingsley, the Museum of Northern California Art, and the Diego Rivera Gallery at the San Francisco Art Institute.
Ruth paints in acrylic on canvas, blurring the lines with drips and intersecting patterns, shapes and edges. The paintings are created by layering several thin washes of color to impart a sense of history, experience, and emotional complexity. Her art film is a collage of moments that allow the viewer to connect with unlikely perspectives, finding a sense of belonging with someone they may see as “other.”
Ruth Chase is a multi media artists whose work explores what it means to be a woman and the struggle to understand all that entails. She creates large intimate paintings on canvas, public art, and videos that celebrate female identity while challenging harmful stereotypes.
The 38 page exhibition book printed on luster finish archival-paper gives you the opportunity to view and share the entire exhibition of works in BLUR, signed by the artist herself.
My art on 9th and O St. is an extension of my studio paintings and video work that reevaluate the roles women have resisted and submitted — highlighting the wisdom women embody beyond limited role models.
“Speaking of art school….impressions, stories and remembrances as told by alumni and faculty of the San Francisco Art Institute”. This series is about perpetuating the culture and legacy of the San Francisco Art Institute through recorded interviews.
“Women: Independence, Interdependence”
by Ruth Chase
acrylic, thread, cotton yarn on cardboard with video
24 x 48″
I am exploring independence and interdependence of women. Through the use of cardboard, acrylic paint, thread, and cotton yarn, this piece is a meditation on how pain is stored in the female body. With phrases like I am afraid to be vulnerable, I am not lovable, and childhood fear taught me not to trust, were written on each disc, and used to create the breast element in the work. Within the work, there are references to gender dysphoria, menses as independence and interdependence, and the female body as being in service.
THE ART OF COLLABORATION – RUTH CHASE AND CHANTELLE GOLDTHWAITE