Ruth Chase is a multi media artists whose work explores what it means to be a woman and the struggle to understand all that entails. She creates large intimate paintings on canvas, public art, and videos that celebrate female identity while challenging harmful stereotypes.
The 38 page exhibition book printed on luster finish archival-paper gives you the opportunity to view and share the entire exhibition of works in BLUR, signed by the artist herself.
“Speaking of art school….impressions, stories and remembrances as told by alumni and faculty of the San Francisco Art Institute”. This series is about perpetuating the culture and legacy of the San Francisco Art Institute through recorded interviews.
What was once an inadequate space to work has become a dream come true studio-ette. With the need to work from home now, and a gratitude shift, I had to abandon a big sexy studio and turn our one-car garage into my workspace. Ruth Chase
Now in Year Three, Belonging manifests as HOME, and elicits perspectives on cultural identity from our less represented populations. Ideas of “home” are being explored through the lens of art salons, our gold country history, our recovering native population, and our recent immigrants. Critical bridge building tools are emerging through creative practices, as we meet. Saturday Morning Question ran from 2017 – 2020.
Women are an essential part of any community, yet their sense of belonging is often tied into gender roles, not always satisfying their sense of belonging. Mother, sister, partner, we all have women in our lives. I AM HERe is intended to mirror the voices of how men and women view women’s unique sense of belonging against the backdrop of our rural community. Lead artist Ruth Chase has sought to examine her own sense of belonging over the course of a year by asking questions through social media and taking her personal journey alongside the community. Now, the public is invited to share their own stories about themselves or the women in their lives by participating in the public art installation.
SHE Persisted an event by YubaLit | Featuring Author Bridget Quinn
This is an essay I read at SHE Persisted about how I overcame a time in my life when I was the most discouraged and wanted to give up being an artist. It starts and ends with a self portrait I painted that changed my life and was the first step I took to create my own “rags to riches” journey. Well, not so much not riches in the form of money.
Spring 2015: I’m on the back end of my 40s, and this time I’m going to really give up. Pursuing an art career feels hopeless, and the uphill battle I’m fighting right now is more than I can handle. It’s 4:00 am Monday morning—hot coffee, cell phone, Facebook app, and the dog. Every week my husband will be gone from Monday to Thursday or Friday. I’ve committed to homeschooling our only child; I feel lost, I feel alone. Every bit of my spiritual energy is being given to our beautiful daughter who will turn 10 in May. I had no idea that motherhood would take this long or be this hard, that I would feel so disconnected from my dreams and my art. I’ll be 50 before ya know it; I don’t have the time or energy to pick up a paintbrush. “Who am I kidding? Get a real job! I’ll never be a working artist.” I’ve been through this before, but this time it’s different.
A pop-up installation where Ruth asks people if they want a hug and if she can take an instant photo of passers-byes, then encouraging them to hang the photo where it could be seen as a reminder of their importance and value to their community. The backdrop is a pop up photo booth intended to be a personal encounter with another human, changing the roll of the selfie from an isolated “look at me” photo to a visceral experience that involved contact and purpose.
MEETING AMY ALLEN Amy was freaking trip, in all the best ways. An incredibly interesting, strange, distant, focused person, the real deal. Sitting with her was like being with someone who was hallucinating, my guess is that she was reading spirits and energy the whole time. As we sat in a hotel room to film the scene, sitting across the table from each other, it felt like she was reading me, or the room around me, her eyes were darting back and forth, over and around me, but never looking at me, even when I spoke to her. I loved every minute of it. After our scene together, I then sat to draw what she described both on camera and off. Texting her photos of the progress to make sure the image was matching what she saw. The hardest thing about drawing a quality piece was all the distractions that took me away from being in my own place of channeling. Though I wouldn’t have wanted to mix in with the energy there, so I guess it worked out for the best.
Retired NYPD homicide detective Steve DiSchiavi and physical medium Amy Allan investigate paranormal activity at a small-town hotel in Grass Valley, California. Their separate investigations take harrowing turns as Steve uncovers the hotel’s history of destructive fires and scandalous violence, while Amy comes face-to-face with the deranged dead during her overwhelming walk.