Saturday Morning Question

Now in Year Three, Belonging manifests as HOME, and elicits perspectives on cultural identity from our less represented populations. Ideas of “home” are being explored through the lens of art salons, our gold country history, our recovering native population, and our recent immigrants. Critical bridge building tools are emerging through creative practices, as we meet. Saturday Morning Question ran from 2017 – 2020.

WHAT I KNOW ABOUT SECLUSION

  1. It takes 3-5 days, or more to embrace it
  2. If it goes on for an extended time there may be a six week cycle of adjustment
  3. You may feel lost, not knowing what to do
  4. You will feel things you did realize you felt
  5. Random memories will begin to surface
  6. Your imagination will wonder
  7. Social media will be your companion, maybe too much
  8. You will amaze yourself by what you create
  9. Then you may wonder why you were amazed
  10. You will know yourself better
  11. You will long for real people
  12. You may comfort eat and drink
  13. You will emerge with a new outlook

My life as an artist in the studio, a 35 year practice and counting.

HOME – OF/BY/FORALL and #Miami

Last week Eliza Tudor of Nevada County Arts Council, Tracy Pepper of Color Me Human, Donn K. Harris of California Arts Council, and I were in #Miami for four days joining the #changenetwork of OF/BY/FORALL.

Miami of by for all ruth chase
Ruth, Tracy, Donn

ECHOES: From There to Here

Introvert by Ruth Chase

Ruth Chase
“Introvert” 
Acrylic on canvas with audio
2018

ECHOES: FROM THERE TO HERE
Alumni Exhibition
San Francisco Art Institute — Diego Rivera Gallery
800 Chestnut Street, San Francisco

Curated by: Timothy Berry and Jeremy Morgan

On View: November 11 – 24, 2019
Opening Reception: Thursday, November 14, 5 – 8 PM

It is with great pleasure and enthusiasm that San Francisco Art Institute (SFAI) faculty, Timothy Berry and Jeremy Morgan present ECHOES: From There to Here.

I AM HERe Installation

Women in a Rural County

Women are an essential part of any community, yet their sense of belonging is often tied into gender roles, not always satisfying their sense of belonging. Mother, sister, partner, we all have women in our lives. I AM HERe is intended to mirror the voices of how men and women view women’s unique sense of belonging against the backdrop of our rural community. Lead artist Ruth Chase has sought to examine her own sense of belonging over the course of a year by asking questions through social media and taking her personal journey alongside the community. Now, the public is invited to share their own stories about themselves or the women in their lives by participating in the public art installation.

Documentary ‘Belonging’ featured at Wild & Scenic Film Festival

Laura Peterson                                                
Special to The Union
January 15, 2019

Ruth Chase by Lori Lachman 2018

In her film, “Belonging” local artist and director, Ruth Chase documents the stories of people living in Nevada County, including Shelly Covert, spokesperson for the Nevada City Rancheria, Nisenan Tribe.

The film is an initiative of Nevada County Art Council and funded in part by California Arts Council through its Artists in Communities Program. Chase and Covert are scheduled to show the film during this week’s 17th Annual Wild & Scenic Film Festival comes to Nevada City and Grass Valley.

The pair are scheduled to participate in activities such as opening reception, art shows, fireside chats, coffee talks, workshops and film panels throughout the five-day environmental and adventure film festival that attracts filmmakers, change-makers, and activists from around the globe.

The two sat down and answered a few questions. Chase had this to say:

What inspired you to make the film, “Belonging?”

“Belonging” is about how people find a sense of belonging through the land, the earth, and the environment. I was initially interested in examining the unique connection people have with the land they were born on and if that connection changes when residing in a place other than their birthplace.

 

Channeling My Work

One of my first portraits from back in the day.

When I started painting, I would follow a voice that would come forth from a spirit on the other side asking me to see them. I had no idea what I was doing, I would just paint, in time I understood that I could use channeling from nonphysical energy to guide my work. I remember distinctly that this spirit was eager to be seen and released. While I still use this method in some of my work, I am so much more aware of what is happening and far more particular of who and what I channel.

“White Face”
oil on canvas
6 x 4′
1990
by Ruth Chase
Ocampo Collection

White_Face_Oil_on_Canvas_6_x4_1990 by Ruth Chase
“White Face”, oil on canvas, 48 x 72”, 1990

Early Work >