OMG, We Got The Grant. Super grateful for Eliza Tudor, Nevada County Arts Council and California Arts Council for making this happen. BELONGING will have a year two. More to come soon.
This year, the California Arts Council offered opportunities for funding in 14 unique grant program areas, fostering safe and healthy communities, arts learning, and equitable access to the arts.
“To show support for these organizations—the ones who inspire and make those crucial connections to creativity and culture within our communities-it’s a confirmation of our faith in and gratitude for that vision,” said Nashormeh Lindo, California Arts Council Chair. “This is without a doubt the most fulfilling aspect of our work as Council Members each year, to recognize those doing real, organic work to make a difference for the people of California.”
Fiscal Year 2017-18 Grant Programs and Awards WE’RE ON THE LIST !!
This is the description of the grant that I will be working with as Artist in Residence with Nevada County Arts Council. Our project is called BELONGING Year Two – I AM HERE.
Artists in Communities: Artists in Communities (formerly Artists Activating Communities) supports sustained artistic residencies in community settings, demonstrating that artists are integral to healthy communities and that the arts are a societal cornerstone that brings people together, builds community, and fosters social progress. It centralizes artists and their artistic processes as vehicles for community vitality. Projects are artist-driven, and engage community members as active participants.
SHE Persisted an event by YubaLit | Featuring Author Bridget Quinn
This is an essay I read at SHE Persisted about how I overcame a time in my life when I was the most discouraged and wanted to give up being an artist. It starts and ends with a self portrait I painted that changed my life and was the first step I took to create my own “rags to riches” journey. Well, not so much not riches in the form of money.
Spring 2015: I’m on the back end of my 40s and this time I’m going to really give up. Pursuing an art career feels hopeless, and the uphill battle I’m fighting right now is more than I can handle. It’s 4:00 am Monday morning—hot coffee, cell phone, Facebook app and the dog. Every week my husband will be gone from Monday til Thursday or Friday. I’ve committed to homeschooling our only child; I feel lost, I feel alone. Every bit of my spiritual energy is being given to our beautiful daughter who will turn 10 in May. I had no idea that motherhood would take this long or be this hard, that I would feel so disconnected from my dreams and my art. I’ll be 50 before yah know it; I don’t have the time or energy to pick up a paintbrush. “Who am I kidding? Get a real job! I’ll never be a working artist.” I’ve been through this before, but this time it’s different.
When I was six, my home was on the Venice boardwalk, and within me was a well of strength I would not realize I had until I was older, much older. To be totally honest, I was at my very strongest then. I wanted to be the first woman president when I grew up. At that age, dreaming big was easy. The fact that my tutu matched my bodysuit was enough affirmation for me to believe that I could do or be anything. I remember that dance outfit like it was yesterday; I remember the empowering feelings that went with it, too. It seems like it was the only time in my life where my dreams belonged to me and I was in them wholeheartedly, against all odds.
Summer: There are signs that the demands of motherhood are changing. I’ll try to paint a self-portrait of that little girl. The one who dreamed big dreams.
In the late 80’s, I was a student at the San Francisco Art Institute. I wanted to be an artist with a gallery and be in a museum; I wanted to fill my life with conceptual artist friends and travel the world, eating exotic foods and drinking too much wine. Every idea I had about being an artist came from school, a book, or someone else’s life already lived. As the years go by, I no longer fit into that dream; in fact, I don’t have time to dream.
Fall, I am almost done with the self-portrait. It makes me cry for months, will it ever stop crying? I go with it. I paint, and paint for hours over weeks and into months, one painting turns into 13, turns into a whole installation with audio and video.
It’s August again, I’m 52, I’m having my first solo exhibition today, the LA Weekly will be there. I try to stay present as 400 people attend. That’s a lot of hands to shake, my feet are hurting me in the killer shoes that tell the world “I still got it.” The following morning I will wake up to some 500 texts with my name tagged all over Facebook and Instagram, they will keep coming for the rest of the day and throughout the following weeks. The City of LA will mail me a Certificate of Appreciation for that one self portrait that turned into the West of Lincoln Project. I never saw any of this coming.
Today I embark on a project called I AM HERE, about how women maintain their sense of belonging. It’s no coincidence that I am working with the theme of BELONGING, because that has been the theme of my life. Perhaps the theme of life?
Three years ago, I had no body of work and 30 years of a whole lota nothing on my resume. Two years ago, I embarked on a dream bigger than I could have imagined—a dream where I belonged to my art.
Here’s my self portrait, “Stronger Than You Realize.” I realize now that I AM stronger than I ever thought. I did not find it in a book or a movie; I found it by letting go of an old story, one that was never meant for me, and moving forward, one tiny brave step at a time, toward my dreams. The dreams that were meant for me.
Bridget Quinn is an Art Historian that delves into the lives and careers of 15 brilliant female artists in her book Broad Strokes. Learn more. These images were taken at SHE Persisted on May 31st at the Stone House for YubaLit.
The Venice Tribute Wall provided a space for the public to share their stories, memories, and memorial related to Venice.
From AUG 5 – SEP 10 the West of Lincoln Project was installed at the Venice Arts Gallery. Currently this project is seeking a permanent, semi permanent, or other installation location.
I am continuing to collect stories as part of the Venice Tribute Wall. Submit below and send images to> RuthChaseFineArt@Ymail.com
Philip Oyung is a descendant of one of the first Chinese family to immigrate to Nevada County. He attended Union Hill, as did his father back in 1910. His grandfather emigrated from Guangdong province, China in 1905 to be a cook at the Star Mine in Grass Valley.
Portion of the interview of Philip Oyung with Ruth Chase 2017
Philip Oyung is part of BELONGING, a community arts initiative led by Nevada County Arts Council Artist-in-Residence Ruth Chase, generously funded in part by California Arts Council through its Artists Activating Communities Program.
The BELONGING project is a journey I’m taking with the community of Nevada County. Every week I ask a question on Facebook that explores how we find a sense of belonging. Here is the question I asked most recently.
How do the friendships you had growing up shape your sense of belonging now?
Growing up I felt an incredible pain from feeling like I didn’t belong in my own home while I dreamed of belonging where I wasn’t wanted, with my dad. My dad and I shared the same looks and big personality, I felt comfortable with him because we were alike. As a child my friendships often reflected these same family dynamics, feeling like an outcast in friendships that I perceived I didn’t belong in because I wasn’t enough. Further making me feel incredibly insecure about if I would ever belonging with anyone, anywhere. I think that is why I cried so much on my wedding day, someone wanted me to “belong” with them. To this day I rarely feel like I fit in with most people so I cherish the relationships where I do feel a sense of belonging. After many years of rejection from the art world I have come to realize that none of it is personal and that I belong to myself first and foremost.
So, How do the friendships you had growing up shape your sense of belonging now?
I brought my daughter along so she could see it too, I used to be a Set Decorator in LA for several years. So it was fun to show my daughter what I was talking about.
OK, so I met Amy, she’s a freaking trip, I mean whoa, she was incredibly interesting. And the real deal too. Sitting with her was like being with someone hallucinating, I think she couldn’t turn off reading spirits and energy, it felt like she was reading me, her eyes all around but never looking at me.
As far as my drawings go, I was satisfied with what I did for the time and content I had to create.
NO VACANCY OUTLINE: Retired NYPD homicide detective Steve DiSchiavi and physical medium Amy Allan investigate paranormal activity at a small-town hotel in Grass Valley, California. Their separate investigations take harrowing turns as Steve uncovers the hotel’s history of destructive fires and scandalous violence, while Amy comes face-to-face with the deranged dead during her overwhelming walk.
These were the drawings I did for the program.
I invite you to visit my studio anytime. No worries, you don’t have to be an art collector to have a reason to visit.
Depending on my work schedule I will have something I’m working on that is progress, as well as older work to view. If you have questions about art, mine or in general, bring them with you, I love to talk shop.
I am located just three miles from downtown Nevada City, CA. Feel free to call me or use message form below. Ruth Chase 530-409-2330
I opened the mail today and found this certificate of appreciation for the West of Lincoln Project. Not sure what it means other than it felt great to have it in writing from an unexpected source.